![]() ![]() Paul Hindemith structural thinking of musical works,J624.1.Analysis of Beijing Opera Factors in Li Yuqiu’s Accordion Works,J624.3.Detailed study of the theory, the article Conclusion section summarizes the typical characteristics of Hindemith neoclassical spirit, again positioning of this work to the \The views and opinions. Section I the first four Fugue focus on the discussion on the theme and tone of multiple Fugue Section II third, ten, eleven Fugue in theme and tone analysis, focusing on their the diversified structural features to explore Section III second, five, six, seven, eight, nine, twelve Fugue on the overall structure of the traditional Fugue most similar, this section will be unique to the genre stable musical structure and its typical characteristics to commence specific analysis. Sequencer tone tonal center Fugue in accordance with the number of themes, musical structure characteristics, as well as the use of polyphonic development practices can be divided into three groups, each group one. Chapter II of this article analysis of twelve Fugue. Wing sections melody, texture, harmony and tonality analysis, which provide new music analysis method for Heinz theory works Texture, detailed discussion of harmony and tonality occupy a lot of space. The first focused analysis of the the CLS phrase medieval origins and Melody characteristics, the the Prelude main part - Perpetual Motion Toccata music section composite adjustable texture way throughout development, its means of coordination between the basic performance and music the consistent sections II and III by Heinz Composition Theory in the chord, two skeletons, harmony and downs, tonality and cadence theory based, respectively, on the the second part Arioso music segment and the third part of the St. Due to the theme tune of the Prelude with three features are located at three intervals distinct sections, this chapter is divided into three separately CLS phrase Toccata music, the Arioso music segment, and chant music segment The emphasis on music basic performance analysis of the practices. The article consists of three basic components, Introduction, thesis Chapter Preludes analysis. ![]() The analysis focused on the above two aspects of the \Tonality game \systematic and comprehensive analysis of research work. Completion of its creation in 1942, \Divertimento by a Prelude, Fugue twelve, and interspersed eleven Intermezzo and a playing music composition, focus from the macro-structure or micro music performance practices, \the composer of the neo-classical style, the future and eloquently demonstrated its unique Composition Theory and effectiveness. His timeless music art career lasting from \has maintained a strong momentum of creative and full of innovative artistic exploration. The Hindemith (Paul Hindemith ,1895-1963) as an outstanding representative of the neo-classical composers, is half of the 20th century most influential Americans of German descent composer, music theorist and social activist one. ![]()
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